MIM - About my Art

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A lot of people have asked me how I paint.  You will notice that
most of my earlier paintings are aquarell (on aquarell paper). This technique has the advantage that one can stop painting without any unused colors drying out and becoming unusable. I'm aware that the aquarell technique allows for quite some fancy effects. However, I prefer to paint a scene and athmosphere that I imagine, and I only use the color to depict what I want to show. Part of the reason why a lot of early aquarells are a bit faint on color or monochrome is because at first I did not have very good colors, and also not many of them. Some later aquarells are stronger in color.

A lot of my paintings are acryl, and only a few are in oil. That is because I dislike the smell of terpentine, and I also like if my colors dry rather quickly, so that I can put another layer of paint on top. Usually I start painting the outine of the scene.  I have an idea of the finished painting in my head when I start, and I rarely do scetches beforehand.
Then, I usually paint the sky in detail, and the rest of the picture as a rough scetch, but so that every white spot on the canvas is gone. Only then do I start to fill in details of landscape or whatever, iterating myself to the finished painting.
Most of my acryl painings have a paper background, the smaller ones mostly some kind of oil/acryl painting paper. A lot of the larger ones (several of them having 53.5 cm as one of the dimensions) are on the back of wallpaper, which was at that time a cheap way to paint larger paintings. A few are on the front of wallpaper, using the structure of the walpaper as part of the picture. More recently I have started using real canvas as background.

The charcoal paintings are on some brown packaging paper or cardboard, - somehow I think that a brown background looks better for charcoal than a white one. Some red and white chalks are used for the colors other than black.

The smaller pictures were scanned in directly, whereas the larger ones were photographed with a digital camera. I tried to keep the file sizes of the images to a size where they load at a reasonable speed. I'm sorry for the resulting loss in image quality. Looking at the originals is something else, anyway. I still own most of my artwork. I did give away a few paintings as gifts to friends, and I am also willing to sell my art to interested buyers. (Please contact me if you are interested.)

Some people say that a lot of my art is dark and depressive. Maybe it is because I feel more inspired to paint or write a poem, if I am in a thoughtful mood? Maybe I leave some of my unhappiness in my art to become more happy? Maybe it is just more interesting than sunny postcard-type scenes?  - The joy of creating art is a wonderful experience. I encourage everybody who wants to try it to do so.
 

MIM
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Copyright © Margret I. Moré

About myself

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